THE ROLE OF İNTONATİON İN THE CONNECTİON OF COMPOUND SENTENCE COMPONENTS İN AZERBAİJANİ FOLKLORE MATERİALS
Abstract
The article discusses the role of intonation as a means of connecting the components of compound sentence structures in Azerbaijani folklore materials. Folklore materials are examples of oral language that reflects the national culture of our nation. These oral language patterns are expressed by different sentence structures. One of the sentence structures expressing the essence and content of our folklore is compound sentence structures. Compound sentences are a syntactic unit formed by the semantic and grammatical combination of sentences with equal rights. Since compound sentence structures in folklore materials are oral language material, its components are more associated with intonation. Intonation is related to the sentence and is the action of the sound in the sentence. In the process of speech, intonation is widely used in the expression of various feelings of joy, sorrow, anger, supplication, joy, etc.
Intonation also serves to clarify the purpose of utterance in compound sentences. Thus, the components of this sentence are mostly pronounced with the same type of narration, or question, or command, or emotionally intonation. Due to the structural features and the nature of the intonation, there are connections of meaning, connection, cause and effect, clarification, comparison, distribution between the components of compound sentences. Most of the components of compound sentences without this meaning are connected to each other through intonation. In addition to connect the intonation components in compound sentences in folklore materials, it also serves as an artistic means of decorating their sound and has an important stylistic role, providing easy, concise and emotional expression of thought with colorful colors.
References
2.Abdullaev A.Z. Sejidov Ya.M., Hasanov A.Q.Sovremennyj azerbajdzhanskij yazyk. Sintaksis. Chast IV, Baku, « Maarif», 2007, 468 ctr.
3.Ahundov A. Fonetika azerbajdzhanskogo yazyka. Baku, «Maarif», 1984, 332 ctr.
4.Bajramov H. Bezudarnye slozhnye predlozheniya v sovremennom azerbajdzhanskom yazyke. Baku, «AMEA» 1960, 121 ctr.
5. Gadzhieva N. Stilisticheskie osobennosti foneticheskih edinic v azerbajdzhanskom yazyke. Baku, «Nauka i obrazovanie», 2016, 328 str.
6. Halilov B. Sovremennyj azerbajdzhanskij yazyk (sintaksis) Baku, «Adiloglu», 2017, 428 str.
7. Kazymov G. Sovremennyj azerbajdzhanskij yazyk. Sintaksis. Baku, «Obrazovanie», 2007, 496 str.
8. «Sovremennyj azerbajdzhanskij yazyk» Sintaksis.Tom III, Baku, «Nauka», 1981, 443 str.
CC BY-ND
A work licensed in this way allows the following:
1. The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work.
2. The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict "reverse engineering."
2. The freedom to redistribute copies: Copies may be sold, swapped or given away for free, in the same form as the original.