ABOUT NEW VARIANTS OF THE "BREATHING FRET" METHOD IN THE WORKS OF THE ST. PETERSBURG COMPOSER A.IZOSIMOVA
Abstract
The article is devoted to the issues of composition technique of the St. Petersburg composer A. Izosimov. The
topic of the article is prompted by the interest of XX-XXI century composers to the problem of "breathing" in
music. In the introductory section of the article, "breathing" of music is considered as a manifestation of spiritual
energy. In the works of A. Izosimov's "breath" is associated with a new method of organizing a musical
composition – "breathing fret". This is a universal construction based on the system of interval rotation of tones
and semitones of the pentachord scale, which appears to be a modern neo-modal mixodiatonic form. The article
provides a table of the use of variants of the "breathing lada" method from 1993 to 2018: from system properties
to free interpretation of the components. . Two fragments of the analysis of one of the last works – the Second
Concerto for Violin and Orchestra – allow us to present new possibilities of the method. The sound orders of the
"breathing fret" interact with the usual diatonic elements (intervals, sublads) on the principle of pairing, forming a
new functional system of connections.
References
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