RUSSIAN MUSICAL: TO THE PROBLEM OF TRAINING PERFORMERS.

  • Vyacheslav V Shulin A. I. Herzen State Pedagogical University
Keywords: musical, musical theater, musical estrada, film musical, musical direction.

Abstract

The article discusses the main problems of preparing an artist of a Russian musical associated with the
peculiarity of its formation and development. The main difference of the musical as a phenomenon of musical
theater of the twentieth century, is not only the recognized combination of its genre components – vocal, acting
and choreographic, but also the peculiarity of the training of its performers, characterized by a comprehensive
approach to training, taking into account both the vocal-technical and performing component, including
simultaneously elements of acting technique, stage speech and dance.

Author Biography

Vyacheslav V Shulin, A. I. Herzen State Pedagogical University

PHD of Art History,
Associate Professor

References

1. Mond O.L. Znachenie kompleksnogo podhoda v professional'noj podgotovke vokalista. [Jelektronnyj resurs] // Gramota: oficial'naja Internet-versija izdanija. URL: www.gramota.net/materials/3/2011/2/17.html
2. Cleveland T. F.Voice pedagogy for the twentyfirst century: why does my voice sound so different on the tape from the way it sounds to me? // The NATS journal. 1995. №4. Vol. 51.
3. Moore T., Bergman A.Acting the song. Performance skills for the musical theatre. N.Y.: Allworth Press, 2008.
4. Riddle, P.H. The American Musical: History& Development. Ontario: Oakville, 2003.
Published
2023-01-06
How to Cite
Shulin, Vyacheslav V. 2023. “RUSSIAN MUSICAL: TO THE PROBLEM OF TRAINING PERFORMERS.”. EurasianUnionScientists, January, 17-19. https://phil-art.euroasia-science.ru/index.php/Euroasia/article/view/757.
Issue
EURASIAN UNION OF SCIENTISTS. SERIES: PHILOLOGY, ARTS AND CULTUROLOGY. VOLUME 1 №08 (101) (2022)
Section
Article

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